A. Say, Allen. (written and illustrated by Mr. Say) ALLISON. Boston: Houghton
Mifflin, 1997
B. PLOT SUMMARY:
Allison is a beautiful little girl about 4 years old. She was adopted as a baby girl from either China or Japan, the book is vague about Allison’s homeland. Adoptive Mom looks to be 35-45 and Dad 40-50 years of age. They love Allison very much and have given her a happy middle class life but have never broached the subject of adoption with their daughter. Trouble starts when Allison’s Grandmother sends her a beautiful red and white silk kimono. When Allison’s adoptive parents see her for the first time she has a doll with her. The doll looks like an exquisite minature Geisha with her unnaturally white, white face and rich multicolored silk garments. Allison has always considered her doll to be her real sister. The doll is a constant companion of Allison and the doll is named “Mei Mei” which is the Chinese word for “little sister” or “baby sister.” Allison has the doll even before her new parents make it over for her adoption in early infancy. The unhappiness begins when Allison is looking in the mirror at herself in the kimono. She is holding Mei Mei and when she sees how much she looks like Mei Mei and that she doesn’t favor her parents she becomes upset and withdrawn both at home and at preschool. Her parents tell her how much they love her and that they went to get her when she was a little baby. During lunch Allison is very quite and Allison begins to ask the hard questions. First was where did Mei Mei come from and her Father answers, “Far, far away, from another country.” Daddy is being honest and Allison is getting more and more insecure and upset. Dad then continues, “Mommy and I went there and brought you and Mei Mei home with us.” Then Allison wants to know about her real parents and why they would leave her, why they didn’t want her. She asks about her birth parents. She wants to at least see their picture but her current parents don’t have one. Allison tells her parents that they aren’t her Mommy and Daddy and asks poignantly, “They didn’t want me?” The dialog is realistically painful. The next day at preschool Allison asks her classmate Eric, “Are your daddy’s eyes like your eyes? They’re blue, he said. Do you have a mommy in another country: No, she’s home, replies Eric.” Allison continues “I mean another mommy who gave you away?” Allison comes home angry, hurt, and most upset. She cuts the hair of her Mom’s childhood doll and attacks her Dad’s childhood ball and glove. An adult cat keeps appearing and Allison becomes attached to her and her parents let her adopt the cat and then the story ends happily ever after. A modern fairy tale that is not true to life.
C. CRITICAL ANALYSIS (With Cultural Markers)
Say has outdone himself with the beautiful paintings of Allison and her little doll Mei Mei. The facial expressions and emotions of the characters in the story are very tight and true to life. Hair and eye colors of Allison’s presumably European American parents and Allison herself seem appropriate and authentic.
The problem here is a story that certainly could have happened, but if it had the positive ending would never have come so easily and quickly with all loose ends tied up and hurt erased.
There is still a big debate about whether children of one ethnicity should be allowed to be adopted by parents of another racial background. I don’t think it is an ideal situation but for once I agree with Bill O’Reilly’s about something. His position that there are not enough loving parents to adopt so many children who are ripe for adoption. O’Reilly says gay and lesbian couples, interracial couples and any loving person willing to sacrifice enough to be a good parent should be given the opportunity. He sees that as preferable to a string of foster homes where there is often abuse and motivation can be economic. People are becoming more accepting as a whole I would venture to guess of international and interracial adoption as people like Angelina Jolie, Madonna, and even Senator John McCain have gotten involved in this for both personal and humanitarian reasons.
The story is believable in that a 4 or 5 year old could figure this out and talk to peers and parents about the issue but the story ends too neatly. Allison wants to adopt the kitty and her parents let her. She tells her doll Mei Mei that she will never give her away. All of a sudden from her bedroom Allison screams out, to her parents, Allison is not my real name, what is my real name?
Say is too bright and influential to have made a careless mistake of giving a doll a Chinese name and dressing the doll and Allison in Japanese kimonos. There is some hidden meaning that is not apparent to laypeople or professional reviewers alike.
Finding your place as an Asian Pacific American is an authentic and popular theme so that is in the plus column for the story. Costume is mentioned and displayed but no talk of customs, traditions, geography ever comes up. Wouldn’t most parents have brought a bit of Allison’s culture into her life before now? When having tea parties letting her know how important tea was in her home country would have been a small help. I would hope that considerate and educated parents as Allison’s appear to be in the story would have been reading folktales for Allison’s home country and close environs, that they would have taught her origami or to eat grocery store suishi, at least something.
I find the book to be an enigma. The message is mixed and the quick resolution makes this not very good literature in my eye. Cats are nice but did this cat belong to a neighbor? Why didn’t any one think of that before they promised Allison she could keep this kitty artfully depicted as well fed, actually a bit overweight. Doesn’t everyone know by now that milk is not good for cats. More than a tiny bit gives them an upset stomach. Why didn’t someone offer the cat tuna or something more appropriate? That is the problem with the book overall that too much suspension of belief is necessary. Heartbreak and confusion about adoption, especially with a preschooler can not be “fixed” in 24 to 48 hours as in the book. Did Allison grow to like her name? Why would she accept it without question in the end after she gets upset about it earlier in the story. This would not be a good first, second, or third book about adoption for most children. The biggest harm to a child I think is in the fact that as quickly as Allison gets mad and upset she gets over it. Any child in this situation will deal with fear, wondering why their parents lied to them and this book might give them the message that their anger and emotional upset are not legitimate and that could certainly cause much unnecessary guilt for a child who is simply going through a normal range of emotions. I’m not sure if I would recommend it to an Oriental child being brought up by a Caucasian family or not. The book is full of half of each story and half truths. It is just way too unrealistic for my tastes. Certainly it is a fairy tale that “white” Americans who have adopted children from Asian Pacific homelands wish were true!
D. REVIEW EXCERPTS:
School Library Journal says,
“The conclusion is abrupt and somewhat contrived. One can't help wondering, too, why Allison don't already know about her past if she is surrounded by cultural reminders and why her parents don't respond to her pain with immediate physical and verbal warmth and comfort. The compelling artwork will surely attract attention.. However, for first choices that combine honesty with reassurance, try Karen Katz's Over the Moon: An Adoption Tale (Holt, 1997) or Fred Rogers's Lets Talk About It: Adoption (Putnam, 1995).?Wendy Lukehart, Dauphin County Library, Harrisburg,
Kirkus review states, “A stray cat who has been hanging around their house provides Allison with another--albeit unstated--view of adoption and she cheers up enough to rejoin her family. Say masterfully captures Allison's expressions: She is surprised, wounded, sullen, hurt and hurtful, and finally reassured. He addresses the dark side of an adoptive child's feelings carefully, and while the resolution is a bit convenient (and may require interpretation for younger children), it still carries truth.”
REVIEWS ACCESSED AT :
http://www.amazon.com/Allison-Allen-Say/dp/0618495371/ref=dp_return_1/103-7575722-4136600?ie=UTF8&n=283155&s=books&qid=1185504751&sr=1-1
E. CONNECTIONS:
Ed Young’s MY MEI MEI is the story of adopting a young child from China. It is also in picturebook format. It would be a delicate decision about which book to follow or use in place of ALLISON if you were a teacher or parent in a similar circumstance. There are several Reference books on Bibliotherapy. That is the volume I would reach for next. In a perfect world one would reach for that volume first.
Thursday, July 26, 2007
LS 5903 MULTICULTURAL LITERATURE
A. Wong, Janet S. THIS NEXT NEW YEAR. New York: Frances Foster Books for Farrar, Straus, and Giroux, 2000. Illustrated by Yangsook Choi.
B. PLOT SUMMARY
Our narrator is a young boy with a Chinese Father and a Korean Mother. He gives a quick description of the “regular” New Year and then tells us how he and his friends and neighbors celebrate Chinese New Year in many different ways depending on their various ethnic identities. He speaks of cleaning the house by saying, “We are scrubbing our house rough and raw so it can soak up good luck like an empty sponge.” The young boy and his family seem just barely to cross the line into middle class status and our narrator actively wishes for more money, new clothes, and good luck to finally come to rest at his home. Wong sums up that feeling of being joyous even though you may come from humble origins in the last lines of her end notes. “We never got rich. But we always had plenty to share.”
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
I liked the book very much for its positive message. It is a message not stated but implied, that every ethnic group is special in its own unique way, not just the unique way they are portrayed celebrating Chinese New Year. Our young boy narraator tells the way his family celebrates “the regular new year, January 1, when we watch the Rose Parade and football games and make crazy New Year’s resolutions.” There is an attempt, and for me a very successful one of inclusion. A purist or orthodox minded individual may disagree but showing how immigrants from China, Korea, France, Germany, a Native American from the Hopi tribe, a Mexican, and a lady from Singapore all celebrate Chinese New Year seems to acknowledge that Chinese New Year is indeed a special holiday and that it is perfectly fine for different families from parts of the world to acknowledge it in their own way.
The other major point about ethnicities brought up in the book is how most all of us in America have a mixed heritage. Our young protagonist tells of celebrating Chinese New Year “even though I am half Korean.” While most of their meal and the other ways they celebrate the holiday are traditionally Chinese, our main character makes a point of telling us that his Mom, whose ancestry is Korean rather than Chinese makes duk gook, the Korean new years soup to add to their otherwise Chinese holiday supper. The little boy speaks of his best friend, “who is French and German.” He states that Glenn’s family calls the holiday Chinese New Year too, but their way of celebrating and acknowledging the season is to eat take out food from a Thai restaurant. The little boy’s other best friend is called Evelyn and she “is part Hopi and part Mexican.” Evelyn claims this as her favorite holiday. Our narrator thinks Evelyn likes Chinese New Year best because the kids have an older neighbor whose roots are in Singapore and she distributes “red envelopes with money stuffed” inside to the neighborhood children.
Counting our little boy narrator there are four other characters and families. Three of the four have a well known mixed heritage. The narrator; Chinese and Korean. The “white” family with French and German roots, the little girl that is Hopi and Mexican. The woman from Singapore is the only person in the story without a mixed heritage. This was the idea of the American Dream when I was a little girl—the rich colored and textured melting pot where assimilation and blended traditions was a goal. Sometimes ethnic groups want to revel in each other’s differences. Wong is pleased to see how much all groups are alike, how it may be just as important to stake your claim as an American than to simply exist as a foreigner in your own enclave of people with the same heritage that is not open to change or an immigrant who wants to recreate his space from his home country to make a “Little Italy” or a “Chinatown.”
The theme of trying to find your place as an Asian Pacific American is very much a part of this story. The book also does a fine job in explaining the traditional customs of Chinese New Year. The neighborhood in the story might well be called “transitional” by a realtor these days to mean that people from many different backgrounds live there in what appears to be at least in part due to financial reasons. I happen to live in a neighborhood like this with extravagant homes very close by but my great subdivision is considered tainted because we cross over one block over the “line” which is Buford Highway.
The art work by Choi is done appropriately. The European family has lighter skin tone than the people of color that populate most of the book. The artwork of the Chinese Dragon parade is vivid, realistic, and appealing. For the holiday meal our little fellow is pictured seated in a cross legged fashion on a pillow in his sockfeet at a low table. Their table and wall decorations are obviously from the Asian tradition. I do not know enough to differentiate between Chinese and Korean artwork and tablecloths. The most beautiful illustrations in the book are the full page spreads in bright yellow and green with a bit of orange that picture our young friend in the bathtub with bubbles of all sizes filling up the pages as the rubber ducky looks on and the pup tries to pop a bubble that has floated into the air. On the following page as doggy sits on the toilet seat trying to figure out what in the world his little master is doing by flossing his teeth. The last page of the book features our little man and his dog flying in the air. The boy looks very reminiscent of the young girl protagonist in Faith Ringold’s TAR BEACH in this picture and he too dreams of a better life “somewhere out there.”
THIS NEXT NEW YEAR is a bright warm book portraying the author’s ideas about how immigrants, especially Asian Pacific Americans, can become a piece of the American Pie without loosing their cultural ingredients.
D. REVIEW EXCERPTS:
Amazon.com editorializes: "Yangsook Choi's artfully composed, action-packed paintings add uplifting color to the happy spirit of the holiday, and an author's note provides more details about the Chinese New Year and Wong's childhood memories of the celebration. This delightful picture book makes a fine addition to the small collection of Chinese New Year books, distinguishing itself with the narrator's endearingly persistent quest for luck: "They say you are coming into money / when your palms itch, / and my palms have been itching for days. / My brother thinks it's warts, / but I know luck is coming." (Ages 4 to 8) --Emilie Coulter
School Library Journal opines, " The narrator's mother cooks a special Korean soup, and his family observes the traditions of house cleaning, lighting firecrackers, and being extra good to ensure a lucky new year. Wong carefully and clearly presents the reasons behind the rituals in a manner understandable to young children. She explains in an appended note about her own confusion as a child about the timing and meaning of the holiday. Choi's vibrant, somewhat primitive paintings realistically capture the details of and preparations for this hopeful time of year. Youngsters will enjoy the bright colors and the sense of motion and activity conveyed as the boy helps his mother clean, flosses his teeth, and cringes from the noise of the firecrackers. A good choice for anyone getting ready to celebrate Chinese New Year.
Anne Connor, Los Angeles Public Library
Reviews accessed from:
http://www.amazon.com/This-Next-Year-Janet-Wong/dp/0374355037/ref=pd_bbs_sr_1/002-2255834-9114420?ie=UTF8&s=books&qid=1185497936&sr=1-1
E. CONNECTIONS
SAM AND THE LUCKY MONEY is another wonderful picturebook about Chinese New Year written with an insider's perspective by Karen Chinn.
``
B. PLOT SUMMARY
Our narrator is a young boy with a Chinese Father and a Korean Mother. He gives a quick description of the “regular” New Year and then tells us how he and his friends and neighbors celebrate Chinese New Year in many different ways depending on their various ethnic identities. He speaks of cleaning the house by saying, “We are scrubbing our house rough and raw so it can soak up good luck like an empty sponge.” The young boy and his family seem just barely to cross the line into middle class status and our narrator actively wishes for more money, new clothes, and good luck to finally come to rest at his home. Wong sums up that feeling of being joyous even though you may come from humble origins in the last lines of her end notes. “We never got rich. But we always had plenty to share.”
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
I liked the book very much for its positive message. It is a message not stated but implied, that every ethnic group is special in its own unique way, not just the unique way they are portrayed celebrating Chinese New Year. Our young boy narraator tells the way his family celebrates “the regular new year, January 1, when we watch the Rose Parade and football games and make crazy New Year’s resolutions.” There is an attempt, and for me a very successful one of inclusion. A purist or orthodox minded individual may disagree but showing how immigrants from China, Korea, France, Germany, a Native American from the Hopi tribe, a Mexican, and a lady from Singapore all celebrate Chinese New Year seems to acknowledge that Chinese New Year is indeed a special holiday and that it is perfectly fine for different families from parts of the world to acknowledge it in their own way.
The other major point about ethnicities brought up in the book is how most all of us in America have a mixed heritage. Our young protagonist tells of celebrating Chinese New Year “even though I am half Korean.” While most of their meal and the other ways they celebrate the holiday are traditionally Chinese, our main character makes a point of telling us that his Mom, whose ancestry is Korean rather than Chinese makes duk gook, the Korean new years soup to add to their otherwise Chinese holiday supper. The little boy speaks of his best friend, “who is French and German.” He states that Glenn’s family calls the holiday Chinese New Year too, but their way of celebrating and acknowledging the season is to eat take out food from a Thai restaurant. The little boy’s other best friend is called Evelyn and she “is part Hopi and part Mexican.” Evelyn claims this as her favorite holiday. Our narrator thinks Evelyn likes Chinese New Year best because the kids have an older neighbor whose roots are in Singapore and she distributes “red envelopes with money stuffed” inside to the neighborhood children.
Counting our little boy narrator there are four other characters and families. Three of the four have a well known mixed heritage. The narrator; Chinese and Korean. The “white” family with French and German roots, the little girl that is Hopi and Mexican. The woman from Singapore is the only person in the story without a mixed heritage. This was the idea of the American Dream when I was a little girl—the rich colored and textured melting pot where assimilation and blended traditions was a goal. Sometimes ethnic groups want to revel in each other’s differences. Wong is pleased to see how much all groups are alike, how it may be just as important to stake your claim as an American than to simply exist as a foreigner in your own enclave of people with the same heritage that is not open to change or an immigrant who wants to recreate his space from his home country to make a “Little Italy” or a “Chinatown.”
The theme of trying to find your place as an Asian Pacific American is very much a part of this story. The book also does a fine job in explaining the traditional customs of Chinese New Year. The neighborhood in the story might well be called “transitional” by a realtor these days to mean that people from many different backgrounds live there in what appears to be at least in part due to financial reasons. I happen to live in a neighborhood like this with extravagant homes very close by but my great subdivision is considered tainted because we cross over one block over the “line” which is Buford Highway.
The art work by Choi is done appropriately. The European family has lighter skin tone than the people of color that populate most of the book. The artwork of the Chinese Dragon parade is vivid, realistic, and appealing. For the holiday meal our little fellow is pictured seated in a cross legged fashion on a pillow in his sockfeet at a low table. Their table and wall decorations are obviously from the Asian tradition. I do not know enough to differentiate between Chinese and Korean artwork and tablecloths. The most beautiful illustrations in the book are the full page spreads in bright yellow and green with a bit of orange that picture our young friend in the bathtub with bubbles of all sizes filling up the pages as the rubber ducky looks on and the pup tries to pop a bubble that has floated into the air. On the following page as doggy sits on the toilet seat trying to figure out what in the world his little master is doing by flossing his teeth. The last page of the book features our little man and his dog flying in the air. The boy looks very reminiscent of the young girl protagonist in Faith Ringold’s TAR BEACH in this picture and he too dreams of a better life “somewhere out there.”
THIS NEXT NEW YEAR is a bright warm book portraying the author’s ideas about how immigrants, especially Asian Pacific Americans, can become a piece of the American Pie without loosing their cultural ingredients.
D. REVIEW EXCERPTS:
Amazon.com editorializes: "Yangsook Choi's artfully composed, action-packed paintings add uplifting color to the happy spirit of the holiday, and an author's note provides more details about the Chinese New Year and Wong's childhood memories of the celebration. This delightful picture book makes a fine addition to the small collection of Chinese New Year books, distinguishing itself with the narrator's endearingly persistent quest for luck: "They say you are coming into money / when your palms itch, / and my palms have been itching for days. / My brother thinks it's warts, / but I know luck is coming." (Ages 4 to 8) --Emilie Coulter
School Library Journal opines, " The narrator's mother cooks a special Korean soup, and his family observes the traditions of house cleaning, lighting firecrackers, and being extra good to ensure a lucky new year. Wong carefully and clearly presents the reasons behind the rituals in a manner understandable to young children. She explains in an appended note about her own confusion as a child about the timing and meaning of the holiday. Choi's vibrant, somewhat primitive paintings realistically capture the details of and preparations for this hopeful time of year. Youngsters will enjoy the bright colors and the sense of motion and activity conveyed as the boy helps his mother clean, flosses his teeth, and cringes from the noise of the firecrackers. A good choice for anyone getting ready to celebrate Chinese New Year.
Anne Connor, Los Angeles Public Library
Reviews accessed from:
http://www.amazon.com/This-Next-Year-Janet-Wong/dp/0374355037/ref=pd_bbs_sr_1/002-2255834-9114420?ie=UTF8&s=books&qid=1185497936&sr=1-1
E. CONNECTIONS
SAM AND THE LUCKY MONEY is another wonderful picturebook about Chinese New Year written with an insider's perspective by Karen Chinn.
``
LS 5903 MULTICULTURAL LITERATURE
A. Yep, Laurence SPRING PEARL: THE LAST FLOWER. New York: American
Girl, (Girls of Many Lands series), Pleasant Company Publications, 2002.
B. PLOT SUMMARY:
Set in China of the 1850’s we find our main character, 12 year old Pearl in a tough situation. Both of her parents have passed away, her mother most recently, and now Pearl has been invited to live with the family Sung. Pearl’s father was a brilliant artist and many of the influential people of Canton have pieces of his work. Her mother was a noteworthy seamstress and artist in her own right and her art was collected in the city as well. Pearl loves gardening and has enjoyed tending the grounds of their small home in an undesirable area of town. On one of her father’s well known paintings he adds a poem calling camellias “a pearl given by nature.” Her mother names her Spring Pearl after the camellia flower. Her parents were very humble people and more interested in serving others and enjoying the creation of their art rather than living in a more comfortable area of town. Her father, a known scholar teaches Pearl to read and write. Father and daughter write business and personal letters for people from all different areas of town and walks of life. Her father does not charge people for his services and that is one reason they live happily but in meager circumstances. Growing up in “The Rat’s Nest” side of town where often the stench of the Canton River was bothersome serves Pearl extremely well. She is street wise, clever, and full of brain and brawn. The British are warring after Hong Kong and the French get involved too. Pearl has many tasks to complete after her move. Learning to be friendly and non-intimidating with rich Master Sung’s wife and three daughters who are very high in the social strata but cannot read or write. Pearl recreates the garden that the Sung’s have let become overgrown after letting their gardener go in the tough financial times caused by war. With a start like a Cinderella story it turns out very differently! Pearl and a servant of the Sung’s sneak out to check on the progression of the war from the city center often and to check on Master Sung who has been beaten mercilessly and taken into custody for being a dissenter about numerous new war taxes. Pearl knows foreign merchants and people in high places because of the well known art work of her parents. She manages to bring Master Sung clothing, food, and medicine while he is being detained in horrific circumstances with little thought of her own welfare. She does this to thank him for giving her a new home and because her parents taught her their ethics well. Mistress Sung who grew up in the country comes to admire Pearl as does the oldest daughter. Pearl becomes loved and treated like part of the family near the end of the story after rescuing Master Sung and working with Mistress Sung to fight off looters to save their compound. She had wanted the love and the acceptance of the Sung’s and it had been hard won. In the end however, Pearl ventures out on her own to partner with her servant friend from the Sung household for a taste of freedom that a business partnership promises.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
With the story set in the Cantonese area of China there is no need to examine criteria about Asian Pacific Americans. Pearl is in her native country throughout the story. The book is strictly historical fiction but has the feel, at times, of a fleshed out fairytale. Pearl reminds me very much of the heroine in M.C. Helledorfer’s, 1991, THE MAPMAKER’S DAUGHTER as that strong and swashbuckling female also decides to strike out on her own in the end as she of poor origins has defended and won the Prince’s freedom from jail and torture and does not need his status to feel herself worthy.
Just as I did with my Bruchac selection I decided to test the talents of the author in what I thought was the lowest common denominator, popular series. Yep, of such international repute for so many years, could have put out a mediocre book in a series like this and it still would have won acclaim and good reviews. Also I wanted to read a Yep book that I had never heard of. If he writes better than this I just can’t imagine. There are detailed author’s notes at the end of the book and six pages of information and pictures from primary sources about the clothing, jewelry, food, costume, and scenes of war from 1850 or thereabouts. The book cover and title page have beautiful color spreads of Pearl in native costume of silk and bright colors. Even the borders around the first page of every chapter are beautifully illustrated with what looks like an antique lace pattern. Pearl’s skin tone, eye and hair color are dark and appropriate. In the pictures adjacent to the title page Pearl is drawn in a garden holding a camellia near a bonsai tree. There is a building in the background of the picture with a pagoda roof. This is how it should be because the setting is China in the 1850’s.
As Aoki mentions as a positive element of the narrative the story did reflect the changing roles of women in society and even more than that though I believe Pearl was certainly the exception rather than the rule. She gives the girls of old in the story and girls of today encouragement to transcend their accepted roles in society and to challenge artificial barriers of class, wealth, education, age, and gender. Pearl is definitely not a heroine that could be perceived as passive or docile, but she does respect the ways and edicts of the wealthy Sung family and try to earn her keep. She sacrifices and rescues Sung and family because she wants to repay his generosity for giving her a home. She learned from her family to help others with little regard for the cost and never to take advantage of someone’s misfortune whether writing letters or assisting in other ways. Pearl is polite, cooperative, and bright but certainly that was true of some young girls in similar situations to Pearl’s. We should not be so afraid of expressing the truth of a character real or fictional unless it is done to the extreme or all characters are portrayed in a predictable and stereotypical fashion. I was not bothered by this but personality traits and actions of Pearl might not have left some native critics pleased because she was a good and perfect child. She acted subservient to the new family in the beginning. That may be the reason I thought of the story as part fairy tale. It is like a legend or folktale when the all knowing and seeing one is the rescuer and Pearl certainly was. The book has many themes but the history of the Chinese and the cultural lessons shared with readers are the predominant ones along with the role the female plays in this story. The fact that a girl transcended her rank and became the savior of the family because she could speak English very well, fight, disguise herself was sly, street savvy, and knew more Chinese and foreign traders than the wealthy family she went to live with. So, yes, Pearl is a Super Hero in the novel. The from rags to prominence is an age old them in the oral and written tradition as well. Pearl’s parents were also perfect people, extremely talented, very poor but still philanthropic.
All the sub-characters of influential men are drawn out more carefully than in most juvenile novels. The wealthy men and women who collect the works of Pearl’s parents are not all bad or all good. One is in the armed services in opposition to the stance taken by Pearl and the Sung family. Once the war begins in earnest, he does display a bit of a heart by letting Pearl in to see Sung with a pass after Pearl sells him the last item her mother created for her, an elaborate jacket covered in camellias. Because of his respect for her parents he finally agrees to help Pearl a bit and shows her some of her father’s paintings in his office. Other similar characters of male authority figures are fleshed out a bit as well. Yep does an extraordinary job with the character of Mistress Sung. Seemingly a lady of luxury and blindly obeying the social mores for women of her period she changes as the influence of Pearl and the physically tough times of war unfold. She was a country girl and knew how to fashion a bayonet out of a broomstick and knife. She teaches Pearl some of her fighting tricks and they and Pearl’s friend Doggy, a Sung servant take turns protecting the wealthy compound.
The story is fine literature, historically accurate, and a novel that is very hard to put down. There is an overt sense of balance in the storyline, of characters, of the reaction of characters during the war, of the dress and customs of the times such as carrying items on a horizontally balanced bamboo pole, of middle class as well as wealthy people being carried in what these days would be called an easy chair covered with curtains
I found the dialog both humorous and touching.
Pearl describes,
“I was back in my room, changing into my
good jacket and trousers, when my jail rags caught my eye.
Those might be more suitable for a scout, so I slipped them
on instead. Then I braided my hair into a man’s queue.
In the loose blouse, and with a hat, I would pass for a boy.
Girls were always doing that in kung-fu novels.” (Yep, 143)
Pearl tells of being surrounded by soldiers in town as she and
Doggy go looking for news for the Sung household,
“When the sailor next to my captor, raised his rifle, I reached up and
grabbed the barrel. Stop, I said in English. We don’t mean
you any harm. The second soldier was so astonished he
lowered his gun. You can talk! Apparently he didn’t consider
Chinese real speech, but this didn’t seem like the time to
Correct him. Of course I can, I said. Quite well.” (Yep, 158)
Paraphrasing a proverb relating to a major sub theme of the story,
gardening: A weed is just a plant that hasn’t yet found its home.
D. REVIEW EXCERPTS
All 7 customer reviews on amazon.com give it a perfect 5 star review.
Professional reviews include Publisher’s Weekly, “Spring Pearl has a bit of both Cinderella (she's assigned menial chores at first) and Mary Lenox (she restores the Sungs' neglected garden), but she emerges a fully realized character. Offering his typically lively dialogue and strong supporting cast, Yep (Dragon's Gate) also integrates period detail into a well-honed plot. A "Then and Now" afterword draws on Yep's story to contrast conditions facing girls in 19th- century China with those today. Ages 9-12.
School Library Journal recommends the book for Grades 5-8. I see it more as a 3-6 grade, but regardless it is a wonderful story. SLJ: “Spring Pearl is orphaned at age 12 after her mother dies of poverty and overwork. Because her father was a scholar and an artist, his patron, Master Sung, takes her in. She is not welcomed by his wife or daughters, but she endures. At her new home, she intimidates her hosts by speaking knowledgeably on scholarly topics and defeating the eldest son at chess and dominoes. In fact, her ability to read, write, and speak English is quite staggering. Nevertheless, this is 1857 in Canton, and the Chinese are struggling in the Opium War against Great Britain and France. When Master Sung is imprisoned for protesting extra taxes, Spring Pearl is the only one who can save him. Her good deeds win over Mistress Sung, who entrusts her with running the household. Amazingly, the child has friends among the British invaders and the looting Chinese thugs, and saves the Sung family at every turn. They open their arms to her as family, but she chooses freedom. Girls craving adventurous heroines will be drawn to the story, but it leans more toward historical fantasy than fiction.
Be Astengo, Alachua County Library, Gainesville, FL
Reviews accessed at:
http://www.amazon.com/Spring-Pearl-Flower-Girls-Lands/dp/1584855193/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1185472315&sr=1-1
via comcast.net
E. CONNECTIONS:
Yep has written many many novels for elementary and middle school children. He usually uses themes of history of the Chinese culture, the role of women, Asian Pacific Americans learning to fit in at school and in their new communities.
As mentioned earlier, M.C. Helldorfer wrote a book with similar themes regarding males and females and transcending and rising above gender expectations about adventure, daring, and self dependency.
Probably the best “what do I read next” reader’s advisory would be to look at the other books in the “Girls of Many Lands” series put out by an arm of the American Girl Company.
Girl, (Girls of Many Lands series), Pleasant Company Publications, 2002.
B. PLOT SUMMARY:
Set in China of the 1850’s we find our main character, 12 year old Pearl in a tough situation. Both of her parents have passed away, her mother most recently, and now Pearl has been invited to live with the family Sung. Pearl’s father was a brilliant artist and many of the influential people of Canton have pieces of his work. Her mother was a noteworthy seamstress and artist in her own right and her art was collected in the city as well. Pearl loves gardening and has enjoyed tending the grounds of their small home in an undesirable area of town. On one of her father’s well known paintings he adds a poem calling camellias “a pearl given by nature.” Her mother names her Spring Pearl after the camellia flower. Her parents were very humble people and more interested in serving others and enjoying the creation of their art rather than living in a more comfortable area of town. Her father, a known scholar teaches Pearl to read and write. Father and daughter write business and personal letters for people from all different areas of town and walks of life. Her father does not charge people for his services and that is one reason they live happily but in meager circumstances. Growing up in “The Rat’s Nest” side of town where often the stench of the Canton River was bothersome serves Pearl extremely well. She is street wise, clever, and full of brain and brawn. The British are warring after Hong Kong and the French get involved too. Pearl has many tasks to complete after her move. Learning to be friendly and non-intimidating with rich Master Sung’s wife and three daughters who are very high in the social strata but cannot read or write. Pearl recreates the garden that the Sung’s have let become overgrown after letting their gardener go in the tough financial times caused by war. With a start like a Cinderella story it turns out very differently! Pearl and a servant of the Sung’s sneak out to check on the progression of the war from the city center often and to check on Master Sung who has been beaten mercilessly and taken into custody for being a dissenter about numerous new war taxes. Pearl knows foreign merchants and people in high places because of the well known art work of her parents. She manages to bring Master Sung clothing, food, and medicine while he is being detained in horrific circumstances with little thought of her own welfare. She does this to thank him for giving her a new home and because her parents taught her their ethics well. Mistress Sung who grew up in the country comes to admire Pearl as does the oldest daughter. Pearl becomes loved and treated like part of the family near the end of the story after rescuing Master Sung and working with Mistress Sung to fight off looters to save their compound. She had wanted the love and the acceptance of the Sung’s and it had been hard won. In the end however, Pearl ventures out on her own to partner with her servant friend from the Sung household for a taste of freedom that a business partnership promises.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
With the story set in the Cantonese area of China there is no need to examine criteria about Asian Pacific Americans. Pearl is in her native country throughout the story. The book is strictly historical fiction but has the feel, at times, of a fleshed out fairytale. Pearl reminds me very much of the heroine in M.C. Helledorfer’s, 1991, THE MAPMAKER’S DAUGHTER as that strong and swashbuckling female also decides to strike out on her own in the end as she of poor origins has defended and won the Prince’s freedom from jail and torture and does not need his status to feel herself worthy.
Just as I did with my Bruchac selection I decided to test the talents of the author in what I thought was the lowest common denominator, popular series. Yep, of such international repute for so many years, could have put out a mediocre book in a series like this and it still would have won acclaim and good reviews. Also I wanted to read a Yep book that I had never heard of. If he writes better than this I just can’t imagine. There are detailed author’s notes at the end of the book and six pages of information and pictures from primary sources about the clothing, jewelry, food, costume, and scenes of war from 1850 or thereabouts. The book cover and title page have beautiful color spreads of Pearl in native costume of silk and bright colors. Even the borders around the first page of every chapter are beautifully illustrated with what looks like an antique lace pattern. Pearl’s skin tone, eye and hair color are dark and appropriate. In the pictures adjacent to the title page Pearl is drawn in a garden holding a camellia near a bonsai tree. There is a building in the background of the picture with a pagoda roof. This is how it should be because the setting is China in the 1850’s.
As Aoki mentions as a positive element of the narrative the story did reflect the changing roles of women in society and even more than that though I believe Pearl was certainly the exception rather than the rule. She gives the girls of old in the story and girls of today encouragement to transcend their accepted roles in society and to challenge artificial barriers of class, wealth, education, age, and gender. Pearl is definitely not a heroine that could be perceived as passive or docile, but she does respect the ways and edicts of the wealthy Sung family and try to earn her keep. She sacrifices and rescues Sung and family because she wants to repay his generosity for giving her a home. She learned from her family to help others with little regard for the cost and never to take advantage of someone’s misfortune whether writing letters or assisting in other ways. Pearl is polite, cooperative, and bright but certainly that was true of some young girls in similar situations to Pearl’s. We should not be so afraid of expressing the truth of a character real or fictional unless it is done to the extreme or all characters are portrayed in a predictable and stereotypical fashion. I was not bothered by this but personality traits and actions of Pearl might not have left some native critics pleased because she was a good and perfect child. She acted subservient to the new family in the beginning. That may be the reason I thought of the story as part fairy tale. It is like a legend or folktale when the all knowing and seeing one is the rescuer and Pearl certainly was. The book has many themes but the history of the Chinese and the cultural lessons shared with readers are the predominant ones along with the role the female plays in this story. The fact that a girl transcended her rank and became the savior of the family because she could speak English very well, fight, disguise herself was sly, street savvy, and knew more Chinese and foreign traders than the wealthy family she went to live with. So, yes, Pearl is a Super Hero in the novel. The from rags to prominence is an age old them in the oral and written tradition as well. Pearl’s parents were also perfect people, extremely talented, very poor but still philanthropic.
All the sub-characters of influential men are drawn out more carefully than in most juvenile novels. The wealthy men and women who collect the works of Pearl’s parents are not all bad or all good. One is in the armed services in opposition to the stance taken by Pearl and the Sung family. Once the war begins in earnest, he does display a bit of a heart by letting Pearl in to see Sung with a pass after Pearl sells him the last item her mother created for her, an elaborate jacket covered in camellias. Because of his respect for her parents he finally agrees to help Pearl a bit and shows her some of her father’s paintings in his office. Other similar characters of male authority figures are fleshed out a bit as well. Yep does an extraordinary job with the character of Mistress Sung. Seemingly a lady of luxury and blindly obeying the social mores for women of her period she changes as the influence of Pearl and the physically tough times of war unfold. She was a country girl and knew how to fashion a bayonet out of a broomstick and knife. She teaches Pearl some of her fighting tricks and they and Pearl’s friend Doggy, a Sung servant take turns protecting the wealthy compound.
The story is fine literature, historically accurate, and a novel that is very hard to put down. There is an overt sense of balance in the storyline, of characters, of the reaction of characters during the war, of the dress and customs of the times such as carrying items on a horizontally balanced bamboo pole, of middle class as well as wealthy people being carried in what these days would be called an easy chair covered with curtains
I found the dialog both humorous and touching.
Pearl describes,
“I was back in my room, changing into my
good jacket and trousers, when my jail rags caught my eye.
Those might be more suitable for a scout, so I slipped them
on instead. Then I braided my hair into a man’s queue.
In the loose blouse, and with a hat, I would pass for a boy.
Girls were always doing that in kung-fu novels.” (Yep, 143)
Pearl tells of being surrounded by soldiers in town as she and
Doggy go looking for news for the Sung household,
“When the sailor next to my captor, raised his rifle, I reached up and
grabbed the barrel. Stop, I said in English. We don’t mean
you any harm. The second soldier was so astonished he
lowered his gun. You can talk! Apparently he didn’t consider
Chinese real speech, but this didn’t seem like the time to
Correct him. Of course I can, I said. Quite well.” (Yep, 158)
Paraphrasing a proverb relating to a major sub theme of the story,
gardening: A weed is just a plant that hasn’t yet found its home.
D. REVIEW EXCERPTS
All 7 customer reviews on amazon.com give it a perfect 5 star review.
Professional reviews include Publisher’s Weekly, “Spring Pearl has a bit of both Cinderella (she's assigned menial chores at first) and Mary Lenox (she restores the Sungs' neglected garden), but she emerges a fully realized character. Offering his typically lively dialogue and strong supporting cast, Yep (Dragon's Gate) also integrates period detail into a well-honed plot. A "Then and Now" afterword draws on Yep's story to contrast conditions facing girls in 19th- century China with those today. Ages 9-12.
School Library Journal recommends the book for Grades 5-8. I see it more as a 3-6 grade, but regardless it is a wonderful story. SLJ: “Spring Pearl is orphaned at age 12 after her mother dies of poverty and overwork. Because her father was a scholar and an artist, his patron, Master Sung, takes her in. She is not welcomed by his wife or daughters, but she endures. At her new home, she intimidates her hosts by speaking knowledgeably on scholarly topics and defeating the eldest son at chess and dominoes. In fact, her ability to read, write, and speak English is quite staggering. Nevertheless, this is 1857 in Canton, and the Chinese are struggling in the Opium War against Great Britain and France. When Master Sung is imprisoned for protesting extra taxes, Spring Pearl is the only one who can save him. Her good deeds win over Mistress Sung, who entrusts her with running the household. Amazingly, the child has friends among the British invaders and the looting Chinese thugs, and saves the Sung family at every turn. They open their arms to her as family, but she chooses freedom. Girls craving adventurous heroines will be drawn to the story, but it leans more toward historical fantasy than fiction.
Be Astengo, Alachua County Library, Gainesville, FL
Reviews accessed at:
http://www.amazon.com/Spring-Pearl-Flower-Girls-Lands/dp/1584855193/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1185472315&sr=1-1
via comcast.net
E. CONNECTIONS:
Yep has written many many novels for elementary and middle school children. He usually uses themes of history of the Chinese culture, the role of women, Asian Pacific Americans learning to fit in at school and in their new communities.
As mentioned earlier, M.C. Helldorfer wrote a book with similar themes regarding males and females and transcending and rising above gender expectations about adventure, daring, and self dependency.
Probably the best “what do I read next” reader’s advisory would be to look at the other books in the “Girls of Many Lands” series put out by an arm of the American Girl Company.
Saturday, July 14, 2007
LS 5903 MULTICULTURAL LITERATURE
A. Bruchac, Joseph. THE TRAIL OF TEARS. New York: Random House, 1999. Illustrated by Diana Magnuson.
B. PLOT SUMMARY
Bruchac’s Step into Reading title tells of the difficult period of history out of which the “Trail of Tears” was born. Tracing the early history of Cherokee life from their Southeastern existence before the white man arrived and ending with the Cherokees of today, Bruchac tells us carefully, simply, and truthfully about the abuses and deception that the United States perpetuated upon the Cherokee Nation. Listing federal and state government methods of removing the Cherokee from their native lands, Bruchac traces the fate of the Cherokee Nation during the Presidencies of Thomas Jefferson, Andrew Jackson, and Martin Van Buren. The story of Sequoyah and the alphabet he created, of Chief John Ross and his family, the move to New Echota, and the journey to Oklahoma are all detailed by Native American, Bruchac in a simple straightforward style of writing.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
I went to a huge Atlanta Barnes & Noble near my home to look for children’s books about Native Americans written by Native American authors. I was already reading Geronimo for class so this was not actually meant to be a reviewed selection. The reason I have chosen to talk about it now is it was the only book for young people written by a Native American about Native Americans in the entire store. The book was shelved with the paperback fiction section but the book is actually a true story of the Indian removal from the Southeast. Being the only book that a child could chose about Native Americans except for the tainted ANNIE AND THE OLD ONE, KNOTS ON A COUNTING ROPE, BROTHER EAGLE, SISTER SKY and the ROUGH FACED GIRL written by a non-Native American I decided I needed to read and dissect it a bit.
The illustrations are powerful and effective which is not always the case in the “Step into Reading”, “Rookie Reader”, “I can read it all by myself” genre of books and selection of titles. Bruchac gives a very balanced tale of early Cherokee history as well as the removal that caused the trail of tears. Mr. Bruchac states the amazing truth about the economy of the times as he tells us that, “Each Cherokee was given an allowance of $65.88. This would cover the cost of wagons, horses and oxen, bedding, food, soap, and clothing. They would also have to pay to use the turnpikes—private roads whose owners demanded money for their use.” Bruchac mentioned a melancholy part of the story when the very small group of wealthy Cherokees signed a treaty stating that all Cherokees would cede their lands and move Westward. John Ross and the rest of the Cherokees opposed that treaty and they claimed it was illegal since it was not explained to, signed by or ratified by the majority of the Cherokee Nation. John Quincy Adams, founding father and former President made his views known clearly as a then elder statesman saying that he believed the treaty brought disgrace to the United States.
The pictures aim for authenticity. Sequoyah is pictured with the characteristic turban and pipe seen in several photographs of the time. There are pictures of Indians of the past dressing like white men and pictures of Indians in their native dress. The Cherokee rose flower is not mentioned in the book but Cherokee rose stones found near the Arkansas river in the direction of Oklahoma were said to have been created by a single drop of Cherokee blood. These red gemstones are still found in that area to this day. Bruchac tells of the 1,000 or so Indians who refused to flee from North Carolina or escaped to return there. Today they are 10,000 strong. Talking about the 80,000 Cherokees in Oklahoma Bruchac makes a point of saying that the Carolina and Western Cherokees are in fact two separate Cherokee Nations. He talks with pride of the thriving economy of the Oklahoma Cherokee and their system of tribal government. These Cherokee of modern day Oklahoma are drawn wearing typical middle class garments and hairstyles. The book effectively takes us from the past to the present in realistic terms.
Bruchac’s insider status helps make the story honest and truthful, painful at times but not sentimental. He has done a fine job talking about the past and present Cherokee and their turbulent story. Mr. Bruchac also sees the lesson to be learned as, “when promises are broken, many people may suffer.” Interpreting the Trail of Tears as a story of hope and resilience Bruchac will keep his audience and give them much to think about.
Again, I must admit my prejudice about reading much less reviewing a title from the “Step into reading, ready for chapters”. For this type of book I would say it is a good deal better than most. My instinct is that a reluctant reader or an advanced one may enjoy the book and it would well serve as a springboard for further exploration of the role of Native Americans in U.S. history. Being a educational snob about this type of book is a bit limiting. Aren’t we glad that Dr. Seuss’ friend P.D. Eastman wrote so many wonderful Beginner books?
I read so many non-fiction books of this type when I was very young and bored with books I deemed as “silly” as did my daughter. Still my gut instinct after 23 years of working with children and libraries is that it would do best as a motivation reading selection for male reluctant readers.
D. REVIEW EXCERPTS
I was not able to locate any journal reviews. The series has been reviewed and gotten high marks from time to time but the separate title has not been the subject of review. There are positive customer reviews on many sites. Amazon.com customer’s give it a 4.5 out of 5 possible stars.
E. CONNECTIONS
Bruchac has written many, many books about Native Americans for children of all ages. His story of Sacagawea has gotten nothing but rave reviews. I very much enjoyed his historical fiction novel entitled GERONIMO. SKELETON MAN and THE RETURN OF SKELETON MAN are also recommended but are for readers that are overall a bit more advanced than is necessary for reading, understanding and enjoying THE TRAIL OF TEARS.
B. PLOT SUMMARY
Bruchac’s Step into Reading title tells of the difficult period of history out of which the “Trail of Tears” was born. Tracing the early history of Cherokee life from their Southeastern existence before the white man arrived and ending with the Cherokees of today, Bruchac tells us carefully, simply, and truthfully about the abuses and deception that the United States perpetuated upon the Cherokee Nation. Listing federal and state government methods of removing the Cherokee from their native lands, Bruchac traces the fate of the Cherokee Nation during the Presidencies of Thomas Jefferson, Andrew Jackson, and Martin Van Buren. The story of Sequoyah and the alphabet he created, of Chief John Ross and his family, the move to New Echota, and the journey to Oklahoma are all detailed by Native American, Bruchac in a simple straightforward style of writing.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
I went to a huge Atlanta Barnes & Noble near my home to look for children’s books about Native Americans written by Native American authors. I was already reading Geronimo for class so this was not actually meant to be a reviewed selection. The reason I have chosen to talk about it now is it was the only book for young people written by a Native American about Native Americans in the entire store. The book was shelved with the paperback fiction section but the book is actually a true story of the Indian removal from the Southeast. Being the only book that a child could chose about Native Americans except for the tainted ANNIE AND THE OLD ONE, KNOTS ON A COUNTING ROPE, BROTHER EAGLE, SISTER SKY and the ROUGH FACED GIRL written by a non-Native American I decided I needed to read and dissect it a bit.
The illustrations are powerful and effective which is not always the case in the “Step into Reading”, “Rookie Reader”, “I can read it all by myself” genre of books and selection of titles. Bruchac gives a very balanced tale of early Cherokee history as well as the removal that caused the trail of tears. Mr. Bruchac states the amazing truth about the economy of the times as he tells us that, “Each Cherokee was given an allowance of $65.88. This would cover the cost of wagons, horses and oxen, bedding, food, soap, and clothing. They would also have to pay to use the turnpikes—private roads whose owners demanded money for their use.” Bruchac mentioned a melancholy part of the story when the very small group of wealthy Cherokees signed a treaty stating that all Cherokees would cede their lands and move Westward. John Ross and the rest of the Cherokees opposed that treaty and they claimed it was illegal since it was not explained to, signed by or ratified by the majority of the Cherokee Nation. John Quincy Adams, founding father and former President made his views known clearly as a then elder statesman saying that he believed the treaty brought disgrace to the United States.
The pictures aim for authenticity. Sequoyah is pictured with the characteristic turban and pipe seen in several photographs of the time. There are pictures of Indians of the past dressing like white men and pictures of Indians in their native dress. The Cherokee rose flower is not mentioned in the book but Cherokee rose stones found near the Arkansas river in the direction of Oklahoma were said to have been created by a single drop of Cherokee blood. These red gemstones are still found in that area to this day. Bruchac tells of the 1,000 or so Indians who refused to flee from North Carolina or escaped to return there. Today they are 10,000 strong. Talking about the 80,000 Cherokees in Oklahoma Bruchac makes a point of saying that the Carolina and Western Cherokees are in fact two separate Cherokee Nations. He talks with pride of the thriving economy of the Oklahoma Cherokee and their system of tribal government. These Cherokee of modern day Oklahoma are drawn wearing typical middle class garments and hairstyles. The book effectively takes us from the past to the present in realistic terms.
Bruchac’s insider status helps make the story honest and truthful, painful at times but not sentimental. He has done a fine job talking about the past and present Cherokee and their turbulent story. Mr. Bruchac also sees the lesson to be learned as, “when promises are broken, many people may suffer.” Interpreting the Trail of Tears as a story of hope and resilience Bruchac will keep his audience and give them much to think about.
Again, I must admit my prejudice about reading much less reviewing a title from the “Step into reading, ready for chapters”. For this type of book I would say it is a good deal better than most. My instinct is that a reluctant reader or an advanced one may enjoy the book and it would well serve as a springboard for further exploration of the role of Native Americans in U.S. history. Being a educational snob about this type of book is a bit limiting. Aren’t we glad that Dr. Seuss’ friend P.D. Eastman wrote so many wonderful Beginner books?
I read so many non-fiction books of this type when I was very young and bored with books I deemed as “silly” as did my daughter. Still my gut instinct after 23 years of working with children and libraries is that it would do best as a motivation reading selection for male reluctant readers.
D. REVIEW EXCERPTS
I was not able to locate any journal reviews. The series has been reviewed and gotten high marks from time to time but the separate title has not been the subject of review. There are positive customer reviews on many sites. Amazon.com customer’s give it a 4.5 out of 5 possible stars.
E. CONNECTIONS
Bruchac has written many, many books about Native Americans for children of all ages. His story of Sacagawea has gotten nothing but rave reviews. I very much enjoyed his historical fiction novel entitled GERONIMO. SKELETON MAN and THE RETURN OF SKELETON MAN are also recommended but are for readers that are overall a bit more advanced than is necessary for reading, understanding and enjoying THE TRAIL OF TEARS.
LS 5903 MULTICULTURAL LITERATURE
A. Smith, Cynthia Leitich. JINGLE DANCER. New York: Morrow Junior, 2000. Illustrated by Cornelius Van Wright and Ying-Hwa Hu.
B. PLOT SUMMARY
We find Jenna, our main character, daydreaming with the memory of her Grandmother Wolfe dancing the jingle dance at the last powwow. Later talking to her Grandmother she is told that she can dance the jingle dance in a troupe of young girls. Jenna’s excitement is very high. She has to be creative about how to get enough cone shaped jingles for her skirt before the next powwow. An Indian girl’s skirt must have 4 rows of jingles but Grandmother tells her they will not have time to mail order and get them back in time for the next powwow. Jenna watches a videotape of Grandma Wolfe doing the jingle dance over and over while practicing her own jingle. Jenna is distressed that even if she can dance her dress will not be able to sing without the special jingles. Jenna visits Indian women that live nearby: Great-aunt Sis, Mrs. Scott, and her cousin Elizabeth. Each gives her 1 row of jingles to sew onto her dress. On her journey back to Grandmother Wolfe’s house Jenna decides to ask her for a row of jingles to borrow. Jenna and her Grandmother spend a week of evenings sewing on her jingles. Jenna does a beautiful jingle dance with other young Native American girls. All the ladies that Jenna borrowed jingles for her dress from were unable to dance at the next powwow so Jenna serves as the family and neighborhood representative. It makes Jenna happy and her family and neighbors very proud.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Jingle Dancer is a beautiful book. One can almost hear and feel the rhythms of the dance as Jenna learns to become a Jingle Dancer like her Grandmother. The illustrations look extremely authentic; the hair styles of braids, dark hair and eyes of the characters, the costume/regalia of Grandmother and Jenna, two male Indians watching the dance have on two different types of feathered head gear.
The emphasis on family, tradition, and storytelling that are so important to Native Americans is witnessed throughout the book. Great-aunt Sis lives right down the road, a neighbor named Mrs. Scott is close by, and her cousin Elizabeth
is within walking distance as well. The food in the story is authentic as the author explains in his detailed notes at the end of the book about fry bread and Indian tacos.
I think one of the very best features of the story is showing the full circle of a modern Indian’s daily life. Cousin Elizabeth is a successful attorney and she has a big case due. Elizabeth asks Jenna if she will dance for her and Jenna promises. Mrs. Scott will be busy selling Indian tacos and fry bread at the powwow so she too asks Jenna to dance in her stead. Great-aunt Sis is looking forward to being present at the powwow but she asks Jenna to dance for her because her legs “don’t work so well anymore.” Sharing is evident throughout the story. Even Jenna’s beaded moccasins had belonged to Grandmother Wolfe when she was a girl. The homes are in suburbia, not on a reservation and the pictures of a dishwasher in the kitchen and street full of subdivision homes with garages in front are typical middle class America. I thought that showing a school child and an attorney who had a rather typical life many days put great importance on their family and extended family during special Indian days is very important. To show modern day Native Americans that have pay homage to the past and pass down its traditions while embracing typical middle class life is very healthy and realistic. Within any culture or ethnic group there are things that the group does that are like other groups and there are some special traditions that each culture, tribe, and neighborhood share. Showing Jenna in jeans and sneakers and helping in the kitchen and making her costume are representative of the 2 facets of her life. Jenna is also an unselfish girl. She doesn’t want to take but 1 row of jingles from each of her loved ones because she doesn’t want their skirts to loose their voice and be unable to sing.
The telling of time each day is spoken in lyrical terms, as the passing of time being both miraculous and ordinary to Jenna and her family. The text includes time and space phrases that include, “as Moon kissed Sun good night, as Sun fetched morning, as Sun arrived at midcircle, as Sun caught a glimpse of Moon.”
The last two pages of the book are extensive author notes and a glossary of 4 terms repeated in the story. Smith explains that in the story Jenna was a member of the Muscogee (Creek) Nation and is also of Ojibway (Chippewa/Anishinabe) descent. Jenna lives in a contemporary intertribal community with her family in Oklahoma and the powwow is intertribal as well. The traditional home of the Ojibway is near the Great Lakes region of the U.S. and northward into Canada. Ojibway women were the originators of jingle dancing. Smith explains the story of a bat playing baseball as told to Jenna by Great-aunt Sis is a traditional Muscogee story. The unique jingles make a sound like, “tink tink, tink tink” where many say sounds like rain falling on a tin roof. The author goes on to tell the importance of the number four in the story as being sacred to many Native Americans as it reminds them of the four seasons, the four directions, the four stages of life, and four colors of man. The story seems perfectly linked to history and tradition. The joy of Jenna as she dances and the joy and pride her family takes at birthing or initiating a new jingle dancer are evident from the tone of the book and the detailed glowing illustrations.
D. REVIEW EXCERPTS
Kirkus Reviews praise the resourcefulness of Jenna in finding a way to come up with jingles and goes on to say, “The watercolor illustrations clearly and realistically depict what is happening in the story. The layout of the book is straightforward—mostly doublepage spreads that extend all the way to the edges of the paper. Jenna lives in what looks like a nice suburban house, the others seem solidly middleclass, and cousin Elizabeth is a lawyer. The author is deliberately showing us, it would seem, that all Native Americans are not poor or live on rundown reservations. A useful portrayal of an important cultural event in a Creek girl's year.
Reviewer Ginny Gustin, Sonoma County Library System, Santa Rosa, CA writes in School Library Journal, “This picture book will not only satisfy a need for materials on Native American customs, but will also be a welcome addition to stories about traditions passed down by the women of a culture
Reviews accessed from:
http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?z=y&EAN=9780688162412&itm=1
E. CONNECTIONS
Another family story about Native American traditions is Joseph Bruchac’s FIRST STRAWBERRIES: A CHEROKEE STORY
Smith has a multitude of stories about other young Native Americans. One such is RAIN IS NOT MY INDIAN NAME
B. PLOT SUMMARY
We find Jenna, our main character, daydreaming with the memory of her Grandmother Wolfe dancing the jingle dance at the last powwow. Later talking to her Grandmother she is told that she can dance the jingle dance in a troupe of young girls. Jenna’s excitement is very high. She has to be creative about how to get enough cone shaped jingles for her skirt before the next powwow. An Indian girl’s skirt must have 4 rows of jingles but Grandmother tells her they will not have time to mail order and get them back in time for the next powwow. Jenna watches a videotape of Grandma Wolfe doing the jingle dance over and over while practicing her own jingle. Jenna is distressed that even if she can dance her dress will not be able to sing without the special jingles. Jenna visits Indian women that live nearby: Great-aunt Sis, Mrs. Scott, and her cousin Elizabeth. Each gives her 1 row of jingles to sew onto her dress. On her journey back to Grandmother Wolfe’s house Jenna decides to ask her for a row of jingles to borrow. Jenna and her Grandmother spend a week of evenings sewing on her jingles. Jenna does a beautiful jingle dance with other young Native American girls. All the ladies that Jenna borrowed jingles for her dress from were unable to dance at the next powwow so Jenna serves as the family and neighborhood representative. It makes Jenna happy and her family and neighbors very proud.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Jingle Dancer is a beautiful book. One can almost hear and feel the rhythms of the dance as Jenna learns to become a Jingle Dancer like her Grandmother. The illustrations look extremely authentic; the hair styles of braids, dark hair and eyes of the characters, the costume/regalia of Grandmother and Jenna, two male Indians watching the dance have on two different types of feathered head gear.
The emphasis on family, tradition, and storytelling that are so important to Native Americans is witnessed throughout the book. Great-aunt Sis lives right down the road, a neighbor named Mrs. Scott is close by, and her cousin Elizabeth
is within walking distance as well. The food in the story is authentic as the author explains in his detailed notes at the end of the book about fry bread and Indian tacos.
I think one of the very best features of the story is showing the full circle of a modern Indian’s daily life. Cousin Elizabeth is a successful attorney and she has a big case due. Elizabeth asks Jenna if she will dance for her and Jenna promises. Mrs. Scott will be busy selling Indian tacos and fry bread at the powwow so she too asks Jenna to dance in her stead. Great-aunt Sis is looking forward to being present at the powwow but she asks Jenna to dance for her because her legs “don’t work so well anymore.” Sharing is evident throughout the story. Even Jenna’s beaded moccasins had belonged to Grandmother Wolfe when she was a girl. The homes are in suburbia, not on a reservation and the pictures of a dishwasher in the kitchen and street full of subdivision homes with garages in front are typical middle class America. I thought that showing a school child and an attorney who had a rather typical life many days put great importance on their family and extended family during special Indian days is very important. To show modern day Native Americans that have pay homage to the past and pass down its traditions while embracing typical middle class life is very healthy and realistic. Within any culture or ethnic group there are things that the group does that are like other groups and there are some special traditions that each culture, tribe, and neighborhood share. Showing Jenna in jeans and sneakers and helping in the kitchen and making her costume are representative of the 2 facets of her life. Jenna is also an unselfish girl. She doesn’t want to take but 1 row of jingles from each of her loved ones because she doesn’t want their skirts to loose their voice and be unable to sing.
The telling of time each day is spoken in lyrical terms, as the passing of time being both miraculous and ordinary to Jenna and her family. The text includes time and space phrases that include, “as Moon kissed Sun good night, as Sun fetched morning, as Sun arrived at midcircle, as Sun caught a glimpse of Moon.”
The last two pages of the book are extensive author notes and a glossary of 4 terms repeated in the story. Smith explains that in the story Jenna was a member of the Muscogee (Creek) Nation and is also of Ojibway (Chippewa/Anishinabe) descent. Jenna lives in a contemporary intertribal community with her family in Oklahoma and the powwow is intertribal as well. The traditional home of the Ojibway is near the Great Lakes region of the U.S. and northward into Canada. Ojibway women were the originators of jingle dancing. Smith explains the story of a bat playing baseball as told to Jenna by Great-aunt Sis is a traditional Muscogee story. The unique jingles make a sound like, “tink tink, tink tink” where many say sounds like rain falling on a tin roof. The author goes on to tell the importance of the number four in the story as being sacred to many Native Americans as it reminds them of the four seasons, the four directions, the four stages of life, and four colors of man. The story seems perfectly linked to history and tradition. The joy of Jenna as she dances and the joy and pride her family takes at birthing or initiating a new jingle dancer are evident from the tone of the book and the detailed glowing illustrations.
D. REVIEW EXCERPTS
Kirkus Reviews praise the resourcefulness of Jenna in finding a way to come up with jingles and goes on to say, “The watercolor illustrations clearly and realistically depict what is happening in the story. The layout of the book is straightforward—mostly doublepage spreads that extend all the way to the edges of the paper. Jenna lives in what looks like a nice suburban house, the others seem solidly middleclass, and cousin Elizabeth is a lawyer. The author is deliberately showing us, it would seem, that all Native Americans are not poor or live on rundown reservations. A useful portrayal of an important cultural event in a Creek girl's year.
Reviewer Ginny Gustin, Sonoma County Library System, Santa Rosa, CA writes in School Library Journal, “This picture book will not only satisfy a need for materials on Native American customs, but will also be a welcome addition to stories about traditions passed down by the women of a culture
Reviews accessed from:
http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?z=y&EAN=9780688162412&itm=1
E. CONNECTIONS
Another family story about Native American traditions is Joseph Bruchac’s FIRST STRAWBERRIES: A CHEROKEE STORY
Smith has a multitude of stories about other young Native Americans. One such is RAIN IS NOT MY INDIAN NAME
Friday, July 13, 2007
LS 5903 MULTICULTURAL LITERATURE
Review of THE RANGE ETERNAL
A. Erdrich, Louise. THE RANGE ETERNAL. New York: Hyperion, 2002. Illustrated by Steve Johnson and Lou Fancher.
B. PLOT SUMMARY
The young protagonist, who is not named in the story, tells of growing up on the Turtle Mountain Reservation in North Dakota before electricity came to the area. She remembers with exceeding fondness the woodstove that was the center of the home and the brand name of the stove was “Range Eternal.” Wrapped bricks from the stove kept the little girl’s bed warm at night. Walking to school in the snow her mother digs out a hot potato from the ashes of the stove for the little girl and her siblings to put in their coat pockets. It keeps their hands warm on the long snow covered walk to school and later is a pleasant lunch. The little girl sometimes gets scared at night and thinks she hears Windigo the ice monster. Now the little girl from the story is all grown up and she relives much of her childhood with her son, showing him how to make soup as her mother did listening patiently as he cries out scared in his sleep. One day the mother that began the story as a little girl walks by an antique shop and sees a blue woodstove that looks just like the range eternal. She buys it for she, her son, and husband to enjoy.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
THE RANGE ETERNAL is a book whose acquaintance I was so thoroughly pleased to make. The oranges, blues, and yellow are interspersed in a beautiful array, sometimes bright, sometimes muted. The play of words is very unique; the woodstove truly named the “Range Eternal” by brand and the little girl thinking she sees many other types of ranges on the land and in the sky, the range of outdoors that is sacred to her people. The range she is running on while she daydreams. “I saw the range of the buffalo, who once covered the plains of North Dakota so thickly that they grazed from horizon to horizon. I ran the deer range, I ran the bear range. I galloped the range of horses. I loped the wolf range and fox range, the range of badger. I flew the sky, the range of herons, of cranes, hawks, and eagles. I saw the Range Eternal.”
The book overall is a very positive and authentic one. My major concern was that even though the book gives the name of a reservation and a state there is not a single mention of the name of their tribe. A review of the class literature states that is a very negative trait. I must admit that in the first few pages of illustration I almost wondered if the girl and her mother were Asian or Native American. The land and yard of the little girl’s home seems to go on forever with no neighbors in sight. The family is in some ways typical of growing up on a farm in general and certainly growing up on a farm in the Western United States. The characters are contemporary. They wear jeans, sweaters and boggins like other Americans when they go out in the cold and snow. They have a dog named Rex and in many ways seem like a typical family of the times. Authentic parts of the story slip in subtly as when the little girl tells of her favorite jam made from Juneberries. The animals mentioned are all indigenous to the area of North Dakota. All the characters in the story have black hair and brown eyes.
As Stott mentions in his book, NATIVE AMERICANS IN CHILDREN’S LITERATURE (1995) the characters look like Native Americans and the illustrations work well to compliment the story. The book is based on a true story of Erdich’s mother growing up with a wood stove. The author has a few vague memories of the stove and on the last page of the book there is a picture of her mother sitting in front of the “real” Range Eternal. As the publishing house Oyate lists do’s and don’ts for teachers I find many positive aspects of the book that go along with the Oyate list; this Native American family is based in the present, there seem to be an equal number of traits specific to their Indian family and traits that would be similar to others of the day and time. The traditional values of the Indian people are displayed. The mother and father work hard and cooperate to meet the needs of their children. They have a comforting routine. Dad gets up first and tends to the fire in the woodstove by adding birchbark. As Mom awakens next she tends to many things at once. Her daughter is impressed that she can do so many things at once and use both hands simultaneously. Our young protagonist loves to hear the crackle of the kindling wood as she starts her morning at the breakfast table.
I believe the book is a huge success. The illustrations are realistic while still being whimsical as in the orange clouds appearing as buffalo running with the little girl. The hair coloring, skin tone, etc. are accurate but they are just vague enough so that any person “of color” with the exception of African Americans could see themselves pictured in a positive light. The story is excellent because it is specific to the land and times it portrays while also being accessible to anyone by portraying a traditional family and the fears of childhood. The feel of the book, the warmth from the stove, the little girl becoming one with the land and sky as she runs across her “Home of the Range”. Just as the little Indian girl sees the animals in the sky she sees the shadows from the flames casting pictures on the walls of her home as well, when no lights are on just the illumination of the woodstove. As the girl becomes a grown woman she teaches her son and her husband how to “enter the pictures” the way she used to do.
The land, the animals, and her family are sacred to the little girl. I would select or purchase this picturebook for anyone. I think it would speak to all peoples of all chronological ages. The book is warm and fuzzy while being truthful about the hardships of winter and the heat of the woodstove that was very uncomfortable in the summer when used for cooking.
D. REVIEW EXCERPTS
Publisher’s Weekly gushes, “Erdrich skillfully weaves family memories into a poignant and lyrical story of home and hearth….A young mother relates how when she was a girl in the Turtle Mountains, a wood-burning, enameled stove ("The Range Eternal" emblazoned on the front) provided the family with good soup, warmth and protection. As she looks through the stove's window, the girl sees in its flames "pictures of long ago" that conjure up a range of another kind ("I saw the range of the buffalo... the wolf range and fox range.... I saw the Range Eternal." Johnson and Francher (New York's Bravest) suffuse their breathtaking paintings with light-buffalo and deer gallop in golden clouds across the landscape; in a later painting, the steam from a pot of soup curls through the afternoon sun as the young mother longs for a "center of true warmth" like that of her childhood.”
School Library Journal concludes, “Dreamy illustrations in muted colors float across the pages with the texture of steam, wind, and shadows forming connections between past and present. This is a peaceful story of imagination, memories, and the ties among generations.”
Reviews accessed at: http://www.amazon.com/Range-Eternal-Louise-Erdrich/dp/0786802200/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1184386878&sr=1-1
E. CONNECTIONS
Louise Erdrich has written many other stories of Indian families such as the picturebook GRANDMOTHER’S PIGEON. She also writes novels for older readers.
The idea of following a family for two generations is extremely well done in a poignant manner by Aliki in THE TWO OF THEM. This is a book featuring Greek American characters, another ethnic minority.
A. Erdrich, Louise. THE RANGE ETERNAL. New York: Hyperion, 2002. Illustrated by Steve Johnson and Lou Fancher.
B. PLOT SUMMARY
The young protagonist, who is not named in the story, tells of growing up on the Turtle Mountain Reservation in North Dakota before electricity came to the area. She remembers with exceeding fondness the woodstove that was the center of the home and the brand name of the stove was “Range Eternal.” Wrapped bricks from the stove kept the little girl’s bed warm at night. Walking to school in the snow her mother digs out a hot potato from the ashes of the stove for the little girl and her siblings to put in their coat pockets. It keeps their hands warm on the long snow covered walk to school and later is a pleasant lunch. The little girl sometimes gets scared at night and thinks she hears Windigo the ice monster. Now the little girl from the story is all grown up and she relives much of her childhood with her son, showing him how to make soup as her mother did listening patiently as he cries out scared in his sleep. One day the mother that began the story as a little girl walks by an antique shop and sees a blue woodstove that looks just like the range eternal. She buys it for she, her son, and husband to enjoy.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
THE RANGE ETERNAL is a book whose acquaintance I was so thoroughly pleased to make. The oranges, blues, and yellow are interspersed in a beautiful array, sometimes bright, sometimes muted. The play of words is very unique; the woodstove truly named the “Range Eternal” by brand and the little girl thinking she sees many other types of ranges on the land and in the sky, the range of outdoors that is sacred to her people. The range she is running on while she daydreams. “I saw the range of the buffalo, who once covered the plains of North Dakota so thickly that they grazed from horizon to horizon. I ran the deer range, I ran the bear range. I galloped the range of horses. I loped the wolf range and fox range, the range of badger. I flew the sky, the range of herons, of cranes, hawks, and eagles. I saw the Range Eternal.”
The book overall is a very positive and authentic one. My major concern was that even though the book gives the name of a reservation and a state there is not a single mention of the name of their tribe. A review of the class literature states that is a very negative trait. I must admit that in the first few pages of illustration I almost wondered if the girl and her mother were Asian or Native American. The land and yard of the little girl’s home seems to go on forever with no neighbors in sight. The family is in some ways typical of growing up on a farm in general and certainly growing up on a farm in the Western United States. The characters are contemporary. They wear jeans, sweaters and boggins like other Americans when they go out in the cold and snow. They have a dog named Rex and in many ways seem like a typical family of the times. Authentic parts of the story slip in subtly as when the little girl tells of her favorite jam made from Juneberries. The animals mentioned are all indigenous to the area of North Dakota. All the characters in the story have black hair and brown eyes.
As Stott mentions in his book, NATIVE AMERICANS IN CHILDREN’S LITERATURE (1995) the characters look like Native Americans and the illustrations work well to compliment the story. The book is based on a true story of Erdich’s mother growing up with a wood stove. The author has a few vague memories of the stove and on the last page of the book there is a picture of her mother sitting in front of the “real” Range Eternal. As the publishing house Oyate lists do’s and don’ts for teachers I find many positive aspects of the book that go along with the Oyate list; this Native American family is based in the present, there seem to be an equal number of traits specific to their Indian family and traits that would be similar to others of the day and time. The traditional values of the Indian people are displayed. The mother and father work hard and cooperate to meet the needs of their children. They have a comforting routine. Dad gets up first and tends to the fire in the woodstove by adding birchbark. As Mom awakens next she tends to many things at once. Her daughter is impressed that she can do so many things at once and use both hands simultaneously. Our young protagonist loves to hear the crackle of the kindling wood as she starts her morning at the breakfast table.
I believe the book is a huge success. The illustrations are realistic while still being whimsical as in the orange clouds appearing as buffalo running with the little girl. The hair coloring, skin tone, etc. are accurate but they are just vague enough so that any person “of color” with the exception of African Americans could see themselves pictured in a positive light. The story is excellent because it is specific to the land and times it portrays while also being accessible to anyone by portraying a traditional family and the fears of childhood. The feel of the book, the warmth from the stove, the little girl becoming one with the land and sky as she runs across her “Home of the Range”. Just as the little Indian girl sees the animals in the sky she sees the shadows from the flames casting pictures on the walls of her home as well, when no lights are on just the illumination of the woodstove. As the girl becomes a grown woman she teaches her son and her husband how to “enter the pictures” the way she used to do.
The land, the animals, and her family are sacred to the little girl. I would select or purchase this picturebook for anyone. I think it would speak to all peoples of all chronological ages. The book is warm and fuzzy while being truthful about the hardships of winter and the heat of the woodstove that was very uncomfortable in the summer when used for cooking.
D. REVIEW EXCERPTS
Publisher’s Weekly gushes, “Erdrich skillfully weaves family memories into a poignant and lyrical story of home and hearth….A young mother relates how when she was a girl in the Turtle Mountains, a wood-burning, enameled stove ("The Range Eternal" emblazoned on the front) provided the family with good soup, warmth and protection. As she looks through the stove's window, the girl sees in its flames "pictures of long ago" that conjure up a range of another kind ("I saw the range of the buffalo... the wolf range and fox range.... I saw the Range Eternal." Johnson and Francher (New York's Bravest) suffuse their breathtaking paintings with light-buffalo and deer gallop in golden clouds across the landscape; in a later painting, the steam from a pot of soup curls through the afternoon sun as the young mother longs for a "center of true warmth" like that of her childhood.”
School Library Journal concludes, “Dreamy illustrations in muted colors float across the pages with the texture of steam, wind, and shadows forming connections between past and present. This is a peaceful story of imagination, memories, and the ties among generations.”
Reviews accessed at: http://www.amazon.com/Range-Eternal-Louise-Erdrich/dp/0786802200/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1184386878&sr=1-1
E. CONNECTIONS
Louise Erdrich has written many other stories of Indian families such as the picturebook GRANDMOTHER’S PIGEON. She also writes novels for older readers.
The idea of following a family for two generations is extremely well done in a poignant manner by Aliki in THE TWO OF THEM. This is a book featuring Greek American characters, another ethnic minority.
Thursday, July 5, 2007
LS 5903 MULTICULTURAL LITERATURE
Review of MI FAMILIA, MY FAMILY
A. Ancona, George. MI FAMILIA, MY FAMILY. New York: Children’s Press, 2004.
ISBN 0516236873.
B. PLOT SUMMARY:
An exquisitve and true family story written and photographed by Ancona. This story of a little girl, Camila, her parents, grandparents, aunts, and uncles. Camila’s grandparents were born in Cuba and fled to Venezuela a generation ago and came to settle in Miami Florida. This story rings authentic because it is! Ancona gives author credit to both grandmothers. The story is enhanced with family pictures taken during many activities and seasons.
C. CRITICAL ANALYSIS (WITH CULTURAL MARKERS)
There cannot be a book more authentic than this photo journal of Cuban Americans how after many journeys settled in Miami, Florida. George Ancona makes the book beautiful with his photographs and includes many paintings done by the star of the book, Camila. Ancona is of Hispanic heritage and it shows. Camila is dressed in her parochial school uniform and photographed skipping to school with her mother, a teacher. The book is full of family activities many that are based in the kitchen learning family recipes, two family celebrations including a birthday party for a child. Some of the warmest pictures and verse come when the family comes home after Mass on Sunday to make music with the violin, double bass, piano, violin, clarinet, flute. Members that don’t play an instrument sing and they call their group a choir which Camila pretends to direct as she sings. One of Camila’s grandmothers is a singer of Spanish opera entitled Zarauelas. Showing both sides of the family, their differences and similarities adds depth to this beautiful book of non-fiction. The publications from this branch of Children’s Press, owned by Scholastic, is “Somos Latinos,” which translates, “We Are Latinos.” The book celebrates Hispanic culture and shows it’s diversity.
D. REVIEW EXCERPTS
None found in School Library Journal, Publisher's Weekly, Library Journal, or Booklist. Must have been reviewed as a series.
E. CONNECTIONS:
Other bilingual books in the “We Are Latinos” series by Georga Ancona such as “My Dances” and “My House” celebrate the diversity of Hispanic culture
A. Ancona, George. MI FAMILIA, MY FAMILY. New York: Children’s Press, 2004.
ISBN 0516236873.
B. PLOT SUMMARY:
An exquisitve and true family story written and photographed by Ancona. This story of a little girl, Camila, her parents, grandparents, aunts, and uncles. Camila’s grandparents were born in Cuba and fled to Venezuela a generation ago and came to settle in Miami Florida. This story rings authentic because it is! Ancona gives author credit to both grandmothers. The story is enhanced with family pictures taken during many activities and seasons.
C. CRITICAL ANALYSIS (WITH CULTURAL MARKERS)
There cannot be a book more authentic than this photo journal of Cuban Americans how after many journeys settled in Miami, Florida. George Ancona makes the book beautiful with his photographs and includes many paintings done by the star of the book, Camila. Ancona is of Hispanic heritage and it shows. Camila is dressed in her parochial school uniform and photographed skipping to school with her mother, a teacher. The book is full of family activities many that are based in the kitchen learning family recipes, two family celebrations including a birthday party for a child. Some of the warmest pictures and verse come when the family comes home after Mass on Sunday to make music with the violin, double bass, piano, violin, clarinet, flute. Members that don’t play an instrument sing and they call their group a choir which Camila pretends to direct as she sings. One of Camila’s grandmothers is a singer of Spanish opera entitled Zarauelas. Showing both sides of the family, their differences and similarities adds depth to this beautiful book of non-fiction. The publications from this branch of Children’s Press, owned by Scholastic, is “Somos Latinos,” which translates, “We Are Latinos.” The book celebrates Hispanic culture and shows it’s diversity.
D. REVIEW EXCERPTS
None found in School Library Journal, Publisher's Weekly, Library Journal, or Booklist. Must have been reviewed as a series.
E. CONNECTIONS:
Other bilingual books in the “We Are Latinos” series by Georga Ancona such as “My Dances” and “My House” celebrate the diversity of Hispanic culture
LS 5903 MULTICULTURAL LITERATURE
Review of THIS BIG SKY
A. Mora, Pat and Steve Jenkins, illustrator. New York: Scholastic, 2002. ISBN 0439400708, 9780439400701.
B. PLOT SUMMARY
THIS BIG SKY is a beautiful picturebook of poetry. The thirteen poems all set in the American Southwest tell the story of snakes, birds, seasons, raccoons, pueblos, and old woman dressed in bright, bright clothing. Pictures are an integral part of the text and the success of the book.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Pat Mora writes with a insider’s perspective to paint beautiful word pictures of the American Southwest where she grew up. My favorite poem is Halloween in which is entitled in an “Anglo” way but obviously thought of as more a Day of the Dead or New Age holiday with it’s beginning, “A night of transformations” She uses Spanish words to tell the story of this poem such as “bruja” and “lobo”. A glossary of all eleven of the Spanish words in the text are located in the back of the book and include a pronunciation guide.
The poem that I believe is most Latino in phrase and form and visual descriptions is
TALL WALKING WOMAN which includes the lines, “the woman watches a teenager braiding her grandmother’s hair in the shade and young girls practicing a harvest dance. Umbrella above her head, the woman in the plum red blouse, grandchildren near her knees, in rain clouds walks tall through the pueblo, to a slow drum beat in her purple tennis shoes.”
The close Latino family, the generations spending time together, the bright joyful colors of the woman’s clothing and the pictures of the pueblo village all ring true. The road runner, the prickly cactus, the snake that talks like a person, the horned lizard will be recognizable to parents, teachers, and children alike who live or have lived in the Southwestern United states of in many parts of Central and South America.
D. REVIEW EXCERPTS
School Library Journal exclaims, “In the tradition of Byrd Baylor and Peter Parnall's Desert Voices (Scribners, 1981), this collection of 14 poems features double-page spreads on myriad highlights of the desert of the American Southwest. Topics include the sky, an old snake, a horned lizard, an urban raccoon, jays, and coyotes. Mora's spare poetry echoes the harshness of the landscape and is nicely complemented by Jenkins's richly textured cut-paper collages.”
Publisher’s Weekly comments In a starred review, "Mora celebrates America's vast, otherworldly Southwest in 14 poems that will delight readers with their playfully evocative images. Jenkins offers cut-paper art in tones that reflect the sun-baked region.”
Reviews accessed at: http://www.amazon.com/This-Big-Sky-Pat-Mora/dp/0439400708/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1183690203&sr=1-1
CONNECTIONS:
Bright colors and talk of grandmothers in the trio of Vera B. William’s books that begin with
A CHAIR FOR MY MOTHER
Other books of poetry and verse by Pat Mora: LOVE TO MAMA and PABLO’S TREE
A. Mora, Pat and Steve Jenkins, illustrator. New York: Scholastic, 2002. ISBN 0439400708, 9780439400701.
B. PLOT SUMMARY
THIS BIG SKY is a beautiful picturebook of poetry. The thirteen poems all set in the American Southwest tell the story of snakes, birds, seasons, raccoons, pueblos, and old woman dressed in bright, bright clothing. Pictures are an integral part of the text and the success of the book.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Pat Mora writes with a insider’s perspective to paint beautiful word pictures of the American Southwest where she grew up. My favorite poem is Halloween in which is entitled in an “Anglo” way but obviously thought of as more a Day of the Dead or New Age holiday with it’s beginning, “A night of transformations” She uses Spanish words to tell the story of this poem such as “bruja” and “lobo”. A glossary of all eleven of the Spanish words in the text are located in the back of the book and include a pronunciation guide.
The poem that I believe is most Latino in phrase and form and visual descriptions is
TALL WALKING WOMAN which includes the lines, “the woman watches a teenager braiding her grandmother’s hair in the shade and young girls practicing a harvest dance. Umbrella above her head, the woman in the plum red blouse, grandchildren near her knees, in rain clouds walks tall through the pueblo, to a slow drum beat in her purple tennis shoes.”
The close Latino family, the generations spending time together, the bright joyful colors of the woman’s clothing and the pictures of the pueblo village all ring true. The road runner, the prickly cactus, the snake that talks like a person, the horned lizard will be recognizable to parents, teachers, and children alike who live or have lived in the Southwestern United states of in many parts of Central and South America.
D. REVIEW EXCERPTS
School Library Journal exclaims, “In the tradition of Byrd Baylor and Peter Parnall's Desert Voices (Scribners, 1981), this collection of 14 poems features double-page spreads on myriad highlights of the desert of the American Southwest. Topics include the sky, an old snake, a horned lizard, an urban raccoon, jays, and coyotes. Mora's spare poetry echoes the harshness of the landscape and is nicely complemented by Jenkins's richly textured cut-paper collages.”
Publisher’s Weekly comments In a starred review, "Mora celebrates America's vast, otherworldly Southwest in 14 poems that will delight readers with their playfully evocative images. Jenkins offers cut-paper art in tones that reflect the sun-baked region.”
Reviews accessed at: http://www.amazon.com/This-Big-Sky-Pat-Mora/dp/0439400708/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1183690203&sr=1-1
CONNECTIONS:
Bright colors and talk of grandmothers in the trio of Vera B. William’s books that begin with
A CHAIR FOR MY MOTHER
Other books of poetry and verse by Pat Mora: LOVE TO MAMA and PABLO’S TREE
LS 5903 MULTICULTURAL LITERATURE
Review of THIS BIG SKY
A. Mora, Pat and Steve Jenkins, illustrator. New York: Scholastic, 2002. ISBN 0439400708, 9780439400701.
B. PLOT SUMMARY
THIS BIG SKY is a beautiful picturebook of poetry. The thirteen poems all set in the American Southwest tell the story of snakes, birds, seasons, raccoons, pueblos, and old woman dressed in bright, bright clothing. Pictures are an integral part of the text and the success of the book.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Pat Mora writes with a insider’s perspective to paint beautiful word pictures of the American Southwest where she grew up. My favorite poem is Halloween in which is entitled in an “Anglo” way but obviously thought of as more a Day of the Dead or New Age holiday with it’s beginning, “A night of transformations” She uses Spanish words to tell the story of this poem such as “bruja” and “lobo”. A glossary of all eleven of the Spanish words in the text are located in the back of the book and include a pronunciation guide.
The poem that I believe is most Latino in phrase and form and visual descriptions is
TALL WALKING WOMAN which includes the lines, “the woman watches a teenager braiding her grandmother’s hair in the shade and young girls practicing a harvest dance. Umbrella above her head, the woman in the plum red blouse, grandchildren near her knees, in rain clouds walks tall through the pueblo, to a slow drum beat in her purple tennis shoes.”
The close Latino family, the generations spending time together, the bright joyful colors of the woman’s clothing and the pictures of the pueblo village all ring true. The road runner, the prickly cactus, the snake that talks like a person, the horned lizard will be recognizable to parents, teachers, and children alike who live or have lived in the Southwestern United states of in many parts of Central and South America.
D. REVIEW EXCERPTS
School Library Journal exclaims, “In the tradition of Byrd Baylor and Peter Parnall's Desert Voices (Scribners, 1981), this collection of 14 poems features double-page spreads on myriad highlights of the desert of the American Southwest. Topics include the sky, an old snake, a horned lizard, an urban raccoon, jays, and coyotes. Mora's spare poetry echoes the harshness of the landscape and is nicely complemented by Jenkins's richly textured cut-paper collages.”
Publisher’s Weekly comments In a starred review, "Mora celebrates America's vast, otherworldly Southwest in 14 poems that will delight readers with their playfully evocative images. Jenkins offers cut-paper art in tones that reflect the sun-baked region.”
Reviews accessed at: http://www.amazon.com/This-Big-Sky-Pat-Mora/dp/0439400708/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1183690203&sr=1-1
E. CONNECTIONS:
Bright colors and talk of grandmothers in the trio of Vera B. William’s books that begin with A CHAIR FOR MY MOTHER.
Other books of poetry and verse by Pat Mora: LOVE TO MAMA and PABLO’S TREE
A. Mora, Pat and Steve Jenkins, illustrator. New York: Scholastic, 2002. ISBN 0439400708, 9780439400701.
B. PLOT SUMMARY
THIS BIG SKY is a beautiful picturebook of poetry. The thirteen poems all set in the American Southwest tell the story of snakes, birds, seasons, raccoons, pueblos, and old woman dressed in bright, bright clothing. Pictures are an integral part of the text and the success of the book.
C. CRITICAL ANALYSIS (INCLUDING CULTURAL MARKERS)
Pat Mora writes with a insider’s perspective to paint beautiful word pictures of the American Southwest where she grew up. My favorite poem is Halloween in which is entitled in an “Anglo” way but obviously thought of as more a Day of the Dead or New Age holiday with it’s beginning, “A night of transformations” She uses Spanish words to tell the story of this poem such as “bruja” and “lobo”. A glossary of all eleven of the Spanish words in the text are located in the back of the book and include a pronunciation guide.
The poem that I believe is most Latino in phrase and form and visual descriptions is
TALL WALKING WOMAN which includes the lines, “the woman watches a teenager braiding her grandmother’s hair in the shade and young girls practicing a harvest dance. Umbrella above her head, the woman in the plum red blouse, grandchildren near her knees, in rain clouds walks tall through the pueblo, to a slow drum beat in her purple tennis shoes.”
The close Latino family, the generations spending time together, the bright joyful colors of the woman’s clothing and the pictures of the pueblo village all ring true. The road runner, the prickly cactus, the snake that talks like a person, the horned lizard will be recognizable to parents, teachers, and children alike who live or have lived in the Southwestern United states of in many parts of Central and South America.
D. REVIEW EXCERPTS
School Library Journal exclaims, “In the tradition of Byrd Baylor and Peter Parnall's Desert Voices (Scribners, 1981), this collection of 14 poems features double-page spreads on myriad highlights of the desert of the American Southwest. Topics include the sky, an old snake, a horned lizard, an urban raccoon, jays, and coyotes. Mora's spare poetry echoes the harshness of the landscape and is nicely complemented by Jenkins's richly textured cut-paper collages.”
Publisher’s Weekly comments In a starred review, "Mora celebrates America's vast, otherworldly Southwest in 14 poems that will delight readers with their playfully evocative images. Jenkins offers cut-paper art in tones that reflect the sun-baked region.”
Reviews accessed at: http://www.amazon.com/This-Big-Sky-Pat-Mora/dp/0439400708/ref=pd_bbs_sr_1/103-7575722-4136600?ie=UTF8&s=books&qid=1183690203&sr=1-1
E. CONNECTIONS:
Bright colors and talk of grandmothers in the trio of Vera B. William’s books that begin with A CHAIR FOR MY MOTHER.
Other books of poetry and verse by Pat Mora: LOVE TO MAMA and PABLO’S TREE
Subscribe to:
Posts (Atom)
